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GoGo Monster, by Taiyo Matsumoto
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A poetic tale of a young boy’s overactive imagination.
Reads R to L (Japanese Style). A poetic tale of a young boy’s overactive imagination.
Nine-year-old Yuki Tachibana lives in two worlds. In one world, he is a loner ridiculed by his classmated and reprimanded by his teachers for telling stories of supernatural beings that only he can see. In the other worlds, the super natural beings vie for power with malevolent spirits who bring chaos into the school, the stuents lives and nature itself.
GoGo Monster is a nuanced tale of a young boy and his overly active imagination. Nine-year-old Yuki Tachibana lives in two worlds. In one world, he is a loner ridiculed by his classmated and reprimanded by his teachers for telling stories of supernatural beings that only he can see. In the other worlds, the super natural beings vie for power with malevolent spirits who bring chaos into the school, the stduents lives and nature itself.
- Sales Rank: #763684 in Books
- Brand: Matsumoto, Taiyo/ Matsumoto, Taiyo (ILT)
- Published on: 2009-12-08
- Released on: 2009-12-08
- Original language: English
- Number of items: 1
- Dimensions: 5.75" h x 1.60" w x 8.25" l, 1.88 pounds
- Binding: Hardcover
- 464 pages
From Publishers Weekly
Starred Review. Matsumoto's nearly European art paired with Japanese manga pacing have made him a fan favorite for years, and he won an Eisner for Tekkonkincreet. In GoGo Monster, he effectively blurs the line between reality, imagination, and madness. Yuki is an outcast elementary school student who feels the presence of invisible monsters at his school. Are Yuki's monsters real or imaginary? The old school groundskeeper has reasons to believe Yuki's monsters do exist, and they seem to influence the level of disciplinary problems at school. While we never see Yuki's monsters outside of the depictions scribbled on his desk, readers share Yuki's other hallucinations. In one troubling scene, his teacher's and classmates' heads are replaced with flowers. Matsumoto brings out the surreal moments in everyday life, such as when Yuki stares into raindrops clinging to his umbrella at the distorted image of his face, replicated a hundred times. The high-contrast contour drawings are heavily influenced by French artists Moebius and Enki Bilal, with occasional nods to the psychedelic works of Milton Glaser and Peter Max. Despite occasionally experimental storytelling, the story is very accessible: Viz has faithfully reproduced the beautiful Japanese edition of the book, complete with red-trimmed pages of exceptional quality and a colorful cardboard sleeve. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Although seinen—manga for men—have been published in the U.S. for years, none have taken hold in the marketplace, despite critical praise. This gorgeous presentation of Eisner Award winner Matsumoto’s work deserves to capture more attention from the older readership it hopes to win. In the original graphic novel, third-grader Yuki Tachibana must choose between his imaginary world, in which faces appear in raindrops and unseen beings dance to the music of his harmonica, and the real world of mocking classmates and potential new friends. Taking place over the course of a single school year, Yuki’s struggle to maintain a hold on his dream world turns dark and frightening the closer he gets to new classmate Mokoto. Matsumoto’s scribbly style works perfectly for the story in the childlike way it depicts Yuki’s imaginings and renders the faces of his tormentors as abstractions to intensify Yuki’s sense of alienation. Matsumoto’s examination of an often forgotten period of childhood is powerful, heartbreaking, yet ultimately reassuring. --Eva Volin
About the Author
Taiyo Matsumoto is the cult favorite artist of Tekkonkinkreet: Black & Whiteand NO. 5, both published by VIZ. With line work that mirrors his story lines in a combination of smooth and rough styles his work makes for a truly unique look and feel in manga.
Most helpful customer reviews
0 of 0 people found the following review helpful.
First Matsumoto book i read. Don't pass by
By Abdulahi Mohamoud
This was the first matsumoto work i read and it got me hooked to read anything else made by him because it is so different from any other manga i read. Now this can turn some people off because they are not into alternative manga but you should give it a try anyway. i wasn't into this kind of manga when i first got it and it took me a few read throughs to understand it all but the end result was me loving it and now Matsumoto being one of my favorite mangakas. for first time matsumoto readers: don't judge too harshly on matsumotos different art style or weird and abstract way of storytelling. just try to appreciate it for what it's trying to do.
5 of 6 people found the following review helpful.
11 O'Clock Comics' Fantastic Recommendation and Mine
By SEA-S
In it's year end wrap up for 2009, 11 O'Clock Comics gave a very favorable review of Gogo Monster and based upon that I dropped it into my cart here. Thanks guys, I owe you one. Judging from the volume of reviews on Amazon, I would never have seen this otherwise and would have been sorely deprived of a piece of work that has stunned me aesthetically and engaged me on multiple literary levels. (Yes, literary levels in a manga.)
I've owned this book for about ten days and am about to start my third reread. Once is not enough to catch the nuances of the story and the detail of the art. After the second reading, I literally dreamed of this book. The last book that I can remember dreaming of was Charlotte's Web and that was 30+ years ago.
You'll need to look at the other reviews (or better yet) buy and read the book yourself, to get details regarding the plot. I want to share the pure experience of this book. What 11 O'Clock did not mention was the sheer tactile pleasure of opening and reading this work. The image above is actually a slip cover. The outside cover of the work is a colourful splash of imagination. More interesting, however, is the imprint on the outside edges of the pages. While initially, this looks like it is a red dye only, there is actually a subtle print within the reds that ties to the overall design. More than that, the edge of the pages are stuck together slightly and you have to pay attention to each page as you turn them.
The overall experience of reading this work (or mine at least) was a rememberance of things past: childhood dreams, the life altering moments of small experiences, the texture and touch of a long lost classic, and the joy of having to think of more than the words on the page to gain the most of the work. In this sense, Gogo Monster ranks in my list of some of the best literature that I read in college (thank you again Dean Grissom A Novel Approach to Life) and works of art that I have traveled thousand of miles to see and enjoy.
Take you time with this one. Every square inch of it is worth savoring.
1 of 1 people found the following review helpful.
Dream narrative
By Light Navigation
One of the best comics i've read, not just manga. Matsumoto is a master of rhytm and time. This is so cinematic somebody should make a movie out of it.
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