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My Story, My Dance: Robert Battle's Journey to Alvin Ailey, by Lesa Cline-Ransome
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A boy discovers his passion for dance and becomes a modern hero in this inspiring picture book biography of Robert Battle, artistic director of the Alvin Ailey American Dance Theater.
When Robert Battle was a boy wearing leg braces, he never dreamed he’d study at Juilliard. Though most dancers begin training at an early age, it wasn’t until Robert was a teenager that his appreciation for movement—first from martial arts, then for ballet—became his passion. But support from his family and teachers paired with his desire and determination made it possible for Robert to excel. After years of hard work, the young man who was so inspired by a performance of Alvin Ailey’s Revelations became the artistic director of the very company that motivated him. Today, under Robert’s leadership, Alvin Ailey continues to represent the African American spirit through dance.
Featuring illustrations brimming with vibrant color and swirling motion, this biographical picture book from husband-and-wife team James Ransome and Lisa Cline-Ransome includes a foreword from Robert Battle himself as well as a bibliography, suggested further reading, and an author’s note.
Alvin Ailey American Dance Theater was founded in 1958 by choreographer Alvin Ailey. He envisioned a company dedicated to enriching the American modern dance heritage and preserving the uniqueness of the African-American cultural experience. When Mr. Ailey began creating dances, he drew upon his “blood memories” of his home state of Texas, the blues, spirituals, and gospel inspiration, which resulted in the creation of his most popular and critically acclaimed work, Revelations. Since its founding, the company has performed in seventy-one countries on six continents. It’s repertory includes works by Mr. Ailey and ninety other choreographers, and new works are commissioned each year. Judith Jamison succeeded Mr. Ailey as artistic director, and in 2011, she selected Robert Battle to be her successor. Learn more at AlvinAiley.org.
- Sales Rank: #784184 in Books
- Published on: 2015-10-27
- Released on: 2015-10-27
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .40" w x 9.00" l, .0 pounds
- Binding: Hardcover
- 48 pages
From School Library Journal
Gr 2–5—The latest collaboration from this talented husband-and-wife team spotlights the childhood and career trajectory of the current artistic director of the Alvin Ailey American Dance Theater. When Battle was "'no bigger than a loaf of bread,'" he was adopted and raised by his loving aunt and uncle and their adult daughter. Surrounded by spirituals at home and church, the boy was initially prevented from moving to the music due to painful, metal braces worn to straighten his legs. When the braces were removed, he gained strength and confidence through martial arts and then ballet and other styles. Cline-Ransome charts the young man's progress from an arts high school in Miami to Juilliard. Her narrative conveys salient details, such as the names of teachers, dance companies, and pieces, as well as Battle's emotional highs and lows. Evoking the master of the dance painting, Edgar Degas, Ransome's deft use of acrylic strokes makes readers aware of key moments in Ailey's signature piece, Revelations. Interspersed among full-color scenes of Easter bonnets and the Miami neighborhood are spreads depicting energetic studies of the dancer in motion, first as a child and later as a muscular, toned adult. This informative yet concise package includes a foreword by Battle (accompanied by photographs) and author and illustrator notes. VERDICT This story of the man who went on to assume the mantle of dance leadership will motivate aspiring dancers or choreographers and will be particularly meaningful to boys of color.—Wendy Lukehart, District of Columbia Public Library
Review
Only the third personto direct the esteemed and much-loved American dance company, Battle representsa strong line that celebrates African-American music, faith, and dance. Much asthe spirituality and power of the African-American church infused Alvin Ailey'ssignature work, Revelations, with beauty, sorrow, humor, and pride, soattendance at a performance of that dance work inspired a youngAfrican-American boy from Miami to pursue a career in modern dance.Cline-Ransome recounts Robert Battle's childhood struggles and his loving,supportive family in a warmly written narrative. She follows his meteoriccareer to New York City, studying at Juilliard, dancing and choreographing formodern companies, and finally following Alvin Ailey and Judith Jamison tobecome director of the Alvin Ailey American Dance Theater. Her collaborator(and husband) uses pastels in full-page bleeds to depict both family scenes andpractice sessions in studios. A double-page spread showcases the joyous andoften encored last movement of Revelations, while panels and pages ofcolorfully outlined sketches evoke the precision and drama of dance movement.An especially beautifully conceived image is on the cover, capturing Battle ina moment of intensely emotional concentration. An ongoing success story for allreaders and especially Ailey's worldwide legion of fans. (foreword by Battle,author's note, illustrator's note, bibliography, further reading, photographs)(Picture book/biography. 6-9) (Kirkus Reviews *STARRED* September 1, 2015)
The latest collaboration from this talented husband-and-wife team spotlights the childhood and career trajectory of the current artistic director of the Alvin Ailey American Dance Theater. When Battle was “‘no bigger than a loaf of bread,’” he was adopted and raised by his loving aunt and uncle and their adult daughter. Surrounded by spirituals at home and church, the boy was initially prevented from moving to the music due to painful, metal braces worn to straighten his legs. When the braces were removed, he gained strength and confidence through martial arts and then ballet and other styles. Cline-Ransome charts the young man’s progress from an arts high school in Miami to Juilliard. Her narrative conveys salient details, such as the names of teachers, dance companies, and pieces, as well as Battle’s emotional highs and lows. Evoking the master of the dance painting, Edgar Degas, Ransome’s deft use of acrylic strokes makes readers aware of key moments in Ailey’s signature piece, Revelations. Interspersed among full-color scenes of Easter bonnets and the Miami neighborhood are spreads depicting energetic studies of the dancer in motion, first as a child and later as a muscular, toned adult. This informative yet concise package includes a foreword by Battle (accompanied by photographs) and author and illustrator notes. VERDICT This story of the man who went on to assume the mantle of dance leadership will motivate aspiring dancers or choreographers and will be particularly meaningful to boys of color. (School Library Journal)
A glowing, inspiring tribute to [Battle's] perseverance and passion. (Publishers Weekly)
Robert Battle’s journey to become artistic director of the renowned African American dance company Alvin Ailey is an inspiring story, filled with lessons on following one’s passion. . . . Ransome’s rich, pastel illustrations are filled with expression and movement, showcasing individualized faces and dancers in motion. (Booklist November 1, 2015)
The story of a child who overcomes what could have been devastating obstacles to reach the heights of artistic achievement has become a staple of picture-book biographies, but this one has an especially warm glow around it. Robert Battle’s journey to the center of the New York dance world — he is currently the artistic director of Alvin Ailey American Dance Theater — started out in Florida, where as a child he was raised by a cousin after his mother wasn’t able to care for him, and was forced to wear painful metal braces to straighten his legs. In the hands of the Ransomes, a husband-and-wife team, Robert’s life is a classic inspirational story of family love, faith and passionate artistic devotion.
His “mama Dessie,” the cousin who takes him in, surrounds him with music and tender care, but sends him to karate lessons too, since the streets aren’t quite so nice. “Do you think I can be the first black Baryshnikov?” Robert asks when his braces have come off and he begins to study ballet. His sights are always upward, and yet the story emanates gentleness. In James E. Ransome’s realistic pastel portraits, Battle, his family and his teachers all seem lit from within. (The New York Times Book Review November 4, 2015)
About the Author
Lesa Cline-Ransome is the author of several books for children including the award-winning Satchel Paige and Major Taylor, Champion Cyclist, both illustrated by her husband, James E. Ransome. A graduate of the Pratt Institute, she holds a Master’s Degree in Early Childhood and Elementary Education from NYU. She lives with her family in upstate New York. Visit her at LesaClineRansome.com.
James E. Ransome’s highly acclaimed illustrations for Knock, Knock: My Dad’s Dream for Me won the 2014 Coretta Scott King Award for Illustration. His other award-winning titles include Coretta Scott King Honor Book Uncle Jed’s Barbershop by Margaree King Mitchell; Deborah Hopkinson’s Sweet Clara and the Freedom Quilt; Let My People Go, winner of the NAACP Image Award; and Satchel Paige, written by his wife, Lesa. Mr. Ransome teaches illustration at Pratt Institute and lives in upstate New York with his family. Visit James at JamesRansome.com.
Robert Battle became artistic director of Alvin Ailey American Dance Theater in July 2011 after being personally selected by Judith Jamison, making him only the third person to head the Company since it was founded in 1958. Mr. Battle has a long-standing association with the Ailey organization. A frequent choreographer and artist-in-residence at Ailey since 1999, he has set many of his works on Alvin Ailey American Dance Theater and Ailey II, and at The Ailey School. The Company’s current repertory includes his ballets Takademe and Unfold. Mr. Battle studied dance at The Juilliard School before joining the Parsons Dance Company, and later founding his own dance company called Battleworks. Mr. Battle was honored as one of the “Masters of African-American Choreography” by the Kennedy Center for the Performing Arts in 2005, and he received the prestigious Statue Award from the Princess Grace Foundation-USA in 2007. He is a sought-after keynote speaker and has addressed a number of high-profile organizations, including the United Nations Leaders Programme and the UNICEF Senior Leadership Development Programme.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Inspiring and beautiful
By Lulu
Beautiful inspiring story enjoyed by children and adults alike who read it.
1 of 1 people found the following review helpful.
Five Stars
By MissQuotable
Robert Battle is an icon in our home—love his story and his work.
0 of 0 people found the following review helpful.
Wonderful response as expected.
By Amazon Customer
My Haitian granddaughter (9) , a dancer, is enjoying the book very much. She was acquainted with the Alvin Ailey Dancers
See all 6 customer reviews...
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